SOUNDCRAFT EPM6
Short review
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7
Best rating
mixers
Analog - For vocals - For karaoke - Professional
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Specifications SOUNDCRAFT EPM6
| The main | |
| Monochannels | 6 |
| Stereo channels | 2 |
| Equalizer | 3-way for mono channels; 2-way for stereo channels |
| Pass-through frequency response | 20Hz - 20kHz, +/- 0.5dB |
| Total Harmonic Distortion + Noise | <0.007% |
| Equivalent noise level (EIN) of microphone input | -128 dBc (150kΩ source) 22Hz - 22KHz, unweighted |
| Tire noise level | <- 85 dBc |
| Crosstalk at 1kHz | channel in Mute mode> 96 dB |
| Faders at +10 dBu | > 96 dB |
| AUX Sends | > 86 dB |
| Microphone input | 2.4 k Ohm |
| Line-in | 11 kΩ |
| Stereo input | 100 kΩ |
| Outputs | 75 Ohm |
| Equalizers on input channels | HF - 12kHz, ± 15dB, shelf type; MF - 150Hz 3.5kHzz, ± 15dB, Q = 1.5; LF - 60Hz, ± 15dB |
| Indication | 12-segment LED meter on Mix L&R outputs |
| Temperature Range | from -10ºC to + 30ºC |
| Relative humidity | 0% to 80% non-condensing |
| Power Supply | built-in pulse |
| Supply voltage | 85V-270V AC, 50/60 Hz, universal |
| power usage | less than 20 W |
| Dimensions (W x H x D) | 280x90.5x362 mm |
| Weight | 5 Kg |
SOUNDCRAFT EPM6 reviews
Advantages:
In principle, the technique is "combat".
I was pleasantly surprised by the noise level (where without it), but for such a device it is even a very good indicator.
Disadvantages:
The faders are quite convenient and informative, but the potentiometers are flimsy, so if you use them inaccurately, they can "fly out".
Comment:
It couldn't be easier with commutation, but, again, the connectors are "designed" for careful use. If there are a lot of XLRs on and off, I'm not sure if the plastic will hold up.
Total: I'm happy with the console. She works better for her money than she should.
24 July 2015
